Descrição
«IGOR sounds like the work of a perfectionist giving shape to his more radical ideas. Tyler, who proudly produced, wrote, and arranged the album, is singing more but he’s not worrying whether his tracks have a traditional pop arc. Songs don’t build to a crescendo, they often begin there.
IGOR may be unsettled but it never feels restless. As Tyler grapples with uncertainty and unfulfillment, he delivers an album that feels like it is suspended in midair. It reminds me of Solange’s When I Get Home or King Krule’s The OOZ, albums that succeed in communicating mood as their own sense of logic. Tyler’s interpretation of this sort of stream-of-consciousness feels weightless. The whole album is sustained by mutating, colorful chords, impressionistic cracks in tonality. On top of that, Tyler’s synthetic falsetto singing adds a surreal element to IGOR. The lines between desire and reality and internal monologue and human conversation all become blurred.»
Pitchfork
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