Pergolesi & Scarlatti – Stabat Mater

Descrição

timeline: 1708-1717 Scarlatti writes his ‘Stabat Mater’, commissioned by the Neapolitan brotherhood of the Cavalieri della Vergine dei Dolor for the Lent services in the church of San Luigi di Palazzo. 1734-1736 Pergolesi’s ‘Stabat Mater’, commissioned by the same brotherhood to supersede the Scarlatti version.

1980 Pioneered in northern Europe, the Baroque revival continues in Italy, spearheaded by Rinaldo Alessandrini. 1998 Rinaldo Alessandrini and his newly founded Concerto Italiano record the two Stabat Maters. The recording becomes a reference: ƒƒƒƒ Télérama, Timbre de platine Opéra international, Gramophone Editor’s Choice, 10 de Répertoire, Recommended by Classica.

• 1Stabat Mater Dolorosa
• 2Cujus Animam Gementem
• 3O Quam Tristis
• 4Quæ Moerebat Et Dolebat
• 5Quis Est Homo
• 6Vidit Suum Dulcem Natum
• 7Eia Mater
• 8Fac Ut Ardeat Cor Meum
• 9Sancta Mater
• 10Fac Ut Portem Christi Mortem
• 11Inflammatus Et Accensus
• 12Quando Corpus Morietur
• 13Stabat Mater Dolorosa
• 14Cujus Animam Gementem
• 15O Quam Tristis
• 16Quæ Moerebat Et Dolebat
• 17Quis Est Homo
• 18Quis Non Posset Contristari
• 19Pro Peccatis Suæ Gentis
• 20Vidit Suum Dulcem Natum
• 21Pia Mater
• 22Sancta Mater
• 23Fac Ut Ardeat Cor Meum
• 24Tui Nati Vulnerati
• 25Juxta Crucem
• 26Virgo Virginum Præclara
• 27Fac Ut Portem Christi Mortem
• 28Inflammatus Et Accensus
• 29Fac Me Cruce Custodiri
• 30Quando Corpus Morietur