On DSCH

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Descrição

The new album “On DSCH” by Igor Levit is a x3 CD discographic tour de force by “one of the essential artists of our time” (The New York Times). That the self-styled “maximalist” enjoys pushing himself to his limits – intellectually and physically – is well known, but the present project – two key cycles of musical modernism – puts all others in the shade. Levit is one of the few pianists who have performed these works live in their entirety. When Levit performed Shostakovich’s Twenty-Four Preludes and Fugues for the first time at the 2017 Salzburg Festival, the Neue Zürcher Zeitung described the occasion as a “major event in the musical world”. In May 2019, Levit’s performance of Stevenson’s Passacaglia on DSCH in London’s Wigmore Hall prompted the Guardian to opine that it was unlikely that the work “has ever been played better”. Completed in 1951, Dmitri Shostakovich’s 24 Preludes and Fugues – a summary of all the major and minor tonalities – lasts some two and a half hours in total, while Ronald Stevenson’s Passacaglia on DSCH, which he completed in 1963, is an unbroken set of variations lasting nearly an hour and a half. The letters DSCH spell out Shostakovich’s musical monogram using their German note names: D–Es–C–H = D–E♭–C–B. Levit himself describes the 24 Preludes and Fugues as “a kind of musical diary”: “There is something utterly unique”, he says, “about this combination of warmth, immediacy and pure loneliness. For me, it is a ritual of self-exploration and self-discovery that deals with the most intimate questions.” Ronald Stevenson (1928–2015), was a Scottish composer for whom the DSCH motif provided the basis for a spectacular survey of all manner of pianistic and stylistic possibilities over a span of more than three hundred variations. “The Passacaglia”, Levit believes, “is a veritable compendium of life, a kind of music that tells us of our responsibility towards the world as a whole.” The album’s artwork is specially created by the internationally renowned graphic artist and book designer Christoph Niemann, who regularly illustrates for “The New Yorker” and “The New York Times”. His illustration for “On DSCH” offers a playfully abstract counterpart to this musical experience. Formats:- The x3-disc set is presented in deluxe paper packaging and includes a limited edition printed insert of the “cryptogram” that Shostakovich used as his musical signature. This is a Limited Collector’s Edition of “On DSCH” Vinyl Part One: Shostakovich 24 Prelude And Fugues Op. 87. Presented On 3-LP 180-Gram Vinyl, Triple Gatefold, it also includes a download code. This is part one of the full “On DSCH” album – “On DSCH” Vinyl Part Two: Stevenson Passacaglia on DSCH – follows in February 2022.

  24 Preludes And Fugues, Op. 87

Composed By – Dmitri Shostakovich
 
1-1   Prelude No. 1 In C Major 2:37
1-2   Fugue No. 1 In C Major 2:32
1-3   Prelude No. 2 In A Minor 0:53
1-4   Fugue No. 2 In A Minor 1:26
1-5   Prelude No. 3 In G Major 1:49
1-6   Fugue No. 3 In G Major 1:51
1-7   Prelude No. 4 In E Minor 2:57
1-8   Fugue No. 4 In E Minor 4:45
1-9   Prelude No. 5 In D Major 1:28
1-10   Fugue No. 5 In D Major 1:48
1-11   Prelude No. 6 In B Minor 1:54
1-12   Fugue No. 6 In B Minor 4:57
1-13   Prelude No. 7 In A Major 1:13
1-14   Fugue No. 7 In A Major 2:11
1-15   Prelude No. 8 In F-Sharp Minor 1:12
1-16   Fugue No. 8 In F-Sharp Minor 7:11
1-17   Prelude No. 9 In E Major 2:06
1-18   Fugue No. 9 In E Major 1:36
1-19   Prelude No. 10 In C-Sharp Minor 2:10
1-20   Fugue No. 10 In C-Sharp Minor 5:27
1-21   Prelude No. 11 In B Major 1:05
1-22   Fugue No. 11 In B Major 2:00
1-23   Prelude No. 12 In G-Sharp Minor 4:31
1-24   Fugue No. 12 In G-Sharp Minor 3:45
2-1   Prelude No. 13 In F-Sharp Major 2:27
2-2   Fugue No. 13 In F-Sharp Major 4:45
2-3   Prelude No. 14 In E-Flat Minor 4:08
2-4   Fugue No. 14 In E-Flat Minor 2:44
2-5   Prelude No. 15 In D-Flat Major 2:34
2-6   Fugue No. 15 In D-Flat Major 1:33
2-7   Prelude No. 16 In B-Flat Minor 2:38
2-8   Fugue No. 16 In B-Flat Minor 7:29
2-9   Prelude No. 17 In A-Flat Major 1:39
2-10   Fugue No. 17 In A-Flat Major 3:40
2-11   Prelude No. 18 In F Minor 2:09
2-12   Fugue No. 18 In F Minor 3:03
2-13   Prelude No. 19 In E-Flat Major 2:15
2-14   Fugue No. 19 In E-Flat Major 2:26
2-15   Prelude No. 20 In C Minor 4:03
2-16   Fugue No. 20 In C Minor 5:12
2-17   Prelude No. 21 In B-Flat Major 1:16
2-18   Fugue No. 21 In B-Flat Major 2:42
2-19   Prelude No. 22 In G Minor 2:00
2-20   Fugue No. 22 In G Minor 3:12
2-21   Prelude No. 23 In F Major 2:24
2-22   Fugue No. 23 In F Major 4:02
2-23   Prelude No. 24 In D Minor 4:11
2-24   Fugue No. 24 In D Minor 9:23
    Passacaglia On DSCH, Pars Prima

Composed By – Ronald Stevenson
 
3-1   Sonata Allegro 6:37
3-2   Waltz In Rondo-Form 2:19
3-3   Episode 1:09
3-4   Suite (Prelude – Sarabande – Jig – Sarabande – Minuet – Jig – Gavotte – Polonaise) 12:19
3-5   Pibroch (Lament For The Children) 2:48
3-6   Episode: Arabesque Variations 0:41
3-7   Nocturne 1:59
    Passacaglia On DSCH, Pars Altera

Composed By – Ronald Stevenson
 
3-8   Reverie-Fantasy 5:30
3-9   Fanfare – Forebodings. Alarm – Glimpse Of A War-Vision 2:12
3-10   Variations On “Peace, Bread & The Land” (1917) 2:08
3-11   Symphonic March 1:55
3-12   Episode 0:55
3-13   Fandango 2:08
3-14   Pedal-Point. “To Emergent Africa” 2:03
3-15   Central Episode. Études 3:42
3-16   Variations In C Minor 3:41
    Passacaglia On DSCH, Pars Tertia

Composed By – Ronald Stevenson
 
3-17   Adagio. Tribute To Bach 1:57
3-18   Triple Fugue Over Ground Bass, Subject I. Andamento 5:18
3-19   Triple Fugue Over Ground Bass, Subject II. B A C H 7:02
3-20   Triple Fugue Over Ground Bass, Subject III. Dies Irae (In Memoriam The Six Million) 6:33
3-21   Final Variations On A Theme Derived From Ground. Adagissimo Barocco 12:13

Informação adicional

de

Igor Levit (piano)

Editora

Sony Classical

Formato

3 CDS

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